Thumbnail image for God Shiva Seated with the Seven Mother Goddesses (Saptamatrika)Thumbnail image for God Shiva Seated with the Seven Mother Goddesses (Saptamatrika)
God Shiva Seated with the Seven Mother Goddesses (Saptamatrika)

God Shiva Seated with the Seven Mother Goddesses (Saptamatrika)

An item at Art Institute of Chicago

Across India, the seven mother goddesses (saptamatrikas) are the personified powers (shakti) of the principal male gods, whom they energize. Here, these warrior deities have been invoked for their primary role: to help the goddess Durga destroy demons. The mothers are shown dancing in victory, drunk with the blood of vanquished demons. Shiva is featured at the left playing the veena, a stringed instrument. The skeletal goddess on the far right is Chamunda, the goddess of destruction and death.


Buddhism and Buddhist Art

An exhibit at Art Institute of Chicago

God Shiva Seated with the Seven Mother Goddesses (Saptamatrika)God Shiva Seated with the Seven Mother Goddesses (Saptamatrika)God Shiva Seated with the Seven Mother Goddesses (Saptamatrika)God Shiva Seated with the Seven Mother Goddesses (Saptamatrika)God Shiva Seated with the Seven Mother Goddesses (Saptamatrika)

One of the world's major religions, Buddhism has inspired an immense amount of art. Much of it directs our attention toward meditation and toward the life and teachings of the Buddha Shakyamuni ("sage of the Shakya clan"). In the 5th century BC, his exposure to profound human suffering prompted his transformation from the sheltered Prince Siddhartha into an enlightened being and teacher. He preached a code of moral conduct to escape the cycle of pain and rebirth. Upon the Buddha's passage into nirvana, his followers placed his remains in large hemispherical mounds (stupas) that were adorned with stories of his life. Examples of such narrative sculptures can be seen in this gallery, including The Birth and First Seven Steps of the Buddha on the adjacent wall. Buddhism spread from its early centers in eastern India through the northwestern Gandharan region (present-day Pakistan and Afghanistan), into Central Asia and China, Korea, and Japan. It grew in complexity and scope, influencing the art and iconography of these regions. From the 3rd century BC, the religion expanded southward to Sri Lanka and, eventually, across the seas to the rest of Southeast Asia. When Buddhist monasteries and universities were destroyed in eastern India around the 12th century, monks migrated northward into Kashmir and Tibet, carrying with them sacred scriptures and images. The life story and representations of the Buddha have continued to evolve as they now inspire veneration across the globe.

Art Institute of Chicago

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